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Friday, November 13, 2015

Exclusively on Recorsongs Avid Media Composer v8.4.2 WiN

3:17 PM

Media Composer is actually proven and honest by means of expert publishers in every section involving video, television set, and broadcast. Made to cope with large sizes involving disparate file-based mass media, Media Composer offers quicker high-res-to-HD workflows, real-time relationship, and strong mass media supervision, removing time-consuming chores so that you can target revealing to a terrific account. And from now on the options is actually yoursedit with premises, remotely over the fog up, with desire, by having a low-cost membership, as well as buy a permission outrightmaking Media Composer essentially the most functional and accessible application pertaining to expert imaginative editorial.
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Edit 4K and other high-res media natively
Satisfy your audience’s insatiable appetite for higher quality, more inspiring content—delivered when they want, where they want, and on any device they want. With native support for 2K, 4K, Ultra HD, and higher resolution media, you can acquire, manage, edit, and deliver content with speed and ease. Plus, you can view 2K/4K media in its native resolution on a client monitor—in real time—using Avid Artist | DNxIO or your choice of third-party Open I/O-compatible hardware.
Work with Avid Resolution Independence
Take on any job—in any media resolution—without limits. With Avid Resolution Independence, you can work with practically any media in every resolution—SD, HD, 4K, and beyond—using your existing infrastructure. Plus, Custom Raster Support lets you work with any raster, from 8K to special rasters you can define.
Get greater beauty without the bandwidth
When we introduced Avid DNxHD, we gave you “beauty without the bandwidth,” enabling you to work with and master HD media easily, without blowing your storage budget. And now we’re expanding these same benefits to high-res. With Avid DNxHR, you can work with a wider range of resolutions to fit your task at hand—from lightweight proxies that are a fraction of the raw file sizes for high-performance editorial (making remote collaboration easier), to even more mastering resolutions, including 2K and 4K for delivery. Plus, it’s completely backwards compatible with DNxHD, as it’s built on the same extensible, standards-based media codec.

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